Thursday 26 June 2014

Various Artists - Zeppelin Took My Blues Away (2014)


I cannot take credit for putting in any of the time and effort (and passion) that it took to create this compilation. All this research and this fantastic collection were made possible by “Willard’s Wormholes” http://www.willardswormholes.com . On his website he has a cool interface where you can click on cards and it produces links to the original tracks and then alternative streams so you can compare the tracks for similarities. Excellent project and really well researched. Check it out before downloading!

I didn’t include any of the original Led Zeppelin tunes in this, and took the liberty of splitting all the ‘source tracks’ into 2 CD format just cause the whole playlist was about 90 minutes and I still like CD’s. I’ve reproduced faithfully below all the content from the original web based interface, it makes for extremely interesting reading. And have included in each sub folder the original images from the website (which are awesome by the way).

Anyway excellent compilation, enjoy, thanks to Willard’s Wormholes again for the dedication and research necessary to produce something like this!

From Willard's Wormholes:

They’re one of rock’s greatest bands. They’re also one of rock’s worst… when it comes to properly crediting their sources of inspiration. Led Zeppelin’s many incidents of copyright infringement are legendary. There are those who have called it outright theft, and have sworn in a court of law that Led Zeppelin (primarily Jimmy Page and Robert Plant) have repeatedly taken credit for writing music that wasn’t their’s to take credit for. And, many of those cases have been vindicated. Of course… this is not to take away from Led Zeppelin’s greatness; the amazing arrangements, renditions, covers, interpretations, performances and history they’ve created and been a part of. But, the truth is they’ve become rich partly from royalties they were never entitled to. Jimmy Page was uncharacteristically candid on the subject when he spoke to Guitar Player Magazine in 1993, downplaying his own culpability while simultaneously throwing his partner, Robert Plant, under the bus. “I always tried to bring something fresh to anything that I used. I always made sure to come up with some variation. In fact, I think in most cases, you would never know what the original source could be. Maybe not in every case – but in most cases. So most of the comparisons rest on the lyrics. And Robert was supposed to change the lyrics, and he didn’t always do that – which is what brought on most of the grief. They couldn’t get us on the guitar parts of the music, but they nailed us on the lyrics. We did, however, take some liberties (laughs), I must say.” Note that Page says, “Robert was supposed to change the lyrics…” which might accidentally say a lot more about their process than Page intended.

Many of these tracks, which form the basis for quite a number of Led Zeppelin’s earlier recordings, have found their way onto “Roots Of” Zep collections before, so this gathering is nothing new. Many already know this story, and these songs, but for those that haven’t stayed abreast of the decades of abuse Zep has endured for their costly “borrowing” from others just might be shocked at what they hear on this collection. Of course, musicians borrow from each other all the time. Zeppelin were just way too blatant about it, and way too often took the credit (and royalties) for themselves. And, depending on how you slice it, this is only the half of it. On its own, this is a fun, mostly old blues collection made up of all the original songs heard on these pages… with a strangely familiar twist.

Tracklist:

JAKE HOLMES Dazed And Confused (3:48)
BERT JANSCH Blackwaterside (3:45)
HOWLIN’ WOLF No Place To Go (a.k.a. How Many More Years) (2:53)
ALBERT KING The Hunter (2:46)
ALES KORNER BLUES INC. Rosie (2:13)
ALEXIS KORNER & ROBERT PLANT Steal Away (4:45)
JOAN BAEZ Babe, I’m Gonna Leave You (2:39)
MUDDY WATERS You Need Love (2:43)
SMALL FACES You Need Loving (4:00)
HOWLIN’ WOLF Killing Floor (2:49)
ROBERT JOHNSON Travelling Riverside Blues (2:39)
SONNY BOY WILLIAMSON Bring It On Home (2:38)
BUKKA WHITE Shake ‘Em On Down (3:02)
MOBY GRAPE Never (6:15)
BERT JANSCH The Waggoner’s Lad (3:26)
KANSAS JOE McCOY & MEMPHIS MINNIE When The Levee Breaks (3:11)
SPIRIT Taurus (2:37)
SLEEPY JOHN ESTES Drop Down Mama (3:12)
BLIND BOY FULLER I Want Some Of Your Pie (2:45)
JOSH WHITE Jesus Gonna Make Up My Dying Bed (a.k.a. In My Time Of Dying) (3:06)
RITCHIE VALENS Ooh, My Head (1:47)
BLIND WILLIE JOHNSON It’s Nobody’s Fault But Mine (3:11)
THE THAMESIDERS AND DAVY GRAHAM She Moved Thro’ The Fair (3:10)
SLEEPY JOHN ESTES The Girl I Love, She Got Long Curly Hair (2:58)
BOBBY PARKER Watch Your Step (2:44)

(plus a few bonus tracks.......)

Monday 23 June 2014

Various Artists - 22 Songs About Football (Global Groovers)


Well with world cup fever gripping people the world, seems appropriate that we get a few decent tunes to go along with it and moos over at Global Groovers has put together this deadly little compilation CD. I literally laughed my ass off when I found this compilation, then upon listening to it I laughed my ass off some more. In saying that however, IT WORKS REALLY WELL!! Mad funny at points but some great tunes on it to. Check it out! (He's Dutch by the way - moos - at least I think he's Dutch....) :-D

From the Global Groovers site:

"Speaking of football, or soccer, whatever you prefer, I decided to make a collector about it. It begins with a track from a cd full of 78's collected by John Peel's wife. Nice old song, in the middle we have two African songs, one Colombian and another oldie with the Marx Brothers. On no.13 we have a track sung by no one less than Pelé, with Sergio Mendes and on 20 a quite bad Dutch caranaval song by our own Johan Cruyff, you wont believe your ears. Most songs are Brazillian and about the famous Rio-club Flamengo or Pelé, get it & spread it..."

Tracklist:

01. Albert Whelan - Pass! shoot!! goal!!!
02. João Nogueira e Outros - Hino de flamengo
03. Gasolina - E o juíz apitou
04. João Nogueira - Samba rubro-negra
05. Bezerra da Silva - Flamengo e mangueira
06. Hélio Nascimento - Continuo a ser flamengo
07. Varias crianças - Falando sobre futbol
08. Luiz Wanderley - Rei pelé
09. Pepé Kallé - Roger mila
10. Johnny Bokelo - A.s. biliman
11. Los Teenagers - Pachanga del futbol
12. The Marx Brothers - Professor wagstaff presents the football game ( Groucho )
13. Sergio Mendes e Pelé - Meu mundo é uma bola
14. Wilson Simonal - Obrigado pelé
15. Jackson do Pandeiro - O rei pelé
16. Grupo Fundo de Quintal - Sou flamengo, cacique e mangueira
17. Tim Maia - Flamengo
18. Gilberto Gil e Germano Mathias - Samba rubro-negro
19. Lonnie Donegan - World cup willie
20. Johan Cruyff - Oei oei oei ( dat was me weer een loei )
21. Gringo da Parada - Mengoooo
22. Torcedores de flamengo – Mengoo

Sunday 22 June 2014

Various Artists - The Art Of Chill (Platipus Records)



To what extent is it necessary to be entirely strung out before you can chill out? Does the concept of chill out exist solely within a dialectical relation to getting cranked up (thesis), and strung out (antithesis)? Is chill out a modem phenomenon? Or can it be seen as a timeless one? Can we speak meaningfully of chilling out as an art? Or is it an art only in the sense that love or war can also be viewed as arts? Are the sleeve notes for this compilation of the finest contemporary chill out going to consist entirely of questions? And if this is the case will they themselves require their own equivalent chill out, in the form of a lot of answers?

To this question let me say, emphatically, yes.
___________________________________

The melodic and atmospheric roots of club trance and progressive house lie in the layered sounds of 70's and early-80's psychedelic ambient ala Tangerine Dream and Klaus Schulze. So it's only fitting that iconic UK trance and progressive label Platipus Records launched the first volume of this downtempo series by focusing on ambient material and remixes from its own artists.

For those who care for electronic music history, the first of Platipus's Art Of Chill compilations is the sound of trance leaving the beats of clubland behind and returning to the source. For anyone else it's simply a terrific after-party or late night swim in a deep, multi-coloured ocean of sound. Its studded with downtempo gems that dip into the Platipus catalogue as far back as eight years. Melodic, ethereal tracks like Union Jack's "Water Drums" and Kansai's ambient mix of "Rococco" are both stunning in their own gentle way. The better known Sinead O'Conner and Binary Finary both shine via previously unheard remixes of their tunes "Troy" and the Binary Finary trance anthem "1998" as re-imagined in cold deep space by Neo & Farina. Although a handful of tracks here have appeared on many other comps, the quality of the Platipus content puts this album up there with the best ambient trance collections around.

The pleasant but non-essential Art Of Chill 2 (2005) is far more generic, throwing in just about every strain of downtempo across another two disc set. Thanks to screamingly obvious inclusions like FC Kahuna's "Hayling" and Bent's "Swollen" it simply doesn't distinguish itself enough from many other comps on the market.

Fortunately the series gets well and truly back on track with Art Of Chill 3, a rich, mind-altering mix complied by old hippie techno-ambient rockers System 7 aka Miquette Giraudy and Steve Hillage. It's a colourful, harmonious and at times surreal blend of warm dubby lounge, Hillage's own electronica (as System 7 and Mirror System), current psy-chill tracks from names like Shulman and Blutech, and folksy detours through India and the Far East. An undoubted highlight is System 7's own "Kupuri", a slow-building shamanic groove of rare hypnotic power with Hillage's famous gliss guitar soaring sweetly overhead.

Art Of Chill 4 from 2007 was complied by Alex Paterson of The Orb and was hands-down the best thing he'd put his name to since The Orb's glory days of the early 90's. Given his love of sampling and encyclopedic knowledge of all things ambient he proves the perfect choice to create a highly distinctive mix. It's nothing less than a two hour trip through Paterson's extraordinary personal music collection from the 70's onwards with an emphasis on atmospheric ambience, soundtracks, pretty landscapes and stoned, quirky downbeats. Several new Orb tracks are also effective. Given the chance to run amok with his record collection, Paterson shows a surprising lack of self-indulgence. The album gels beautifully and its the most ambitious entry in the series.

----- Reviewed by Mike G - ambientmusicguide.com


Volume 5 of the compilation (Mixed by Bent) is not included in the above review but definitely deserves a mention, this is nothing like previous Art of Chill releases. This mix offers up alternative, piano, instrumental and classical chill out. With Big guns such as Craig Armstrong and Kirsty Hawkshaw supporting nicely, its the likes of Ben Benjamin, Nonostar and Helios that do this mix justice. CD1 goes very classical, and CD2 opts for a more ‘Art of Chill’ sound. An essential mix for anybody wanting to chill the fuck out. Looking forward to the next compilation!


Saturday 21 June 2014

Tipsy - Trip Tease (1997)/Uh-Oh (2001)

Tipsy first appeared on the San Francisco music scene in 1996 with a cartoonish mix of cut-up charity shop vinyl, twangy guitar and weird spacerock electronics.

Dave Gardner was an obsessive record collector who had gotten involved in the mid-80s avant/industrial/noise crowd in the San Francisco bay area, using tapes, record players, cheap samplers & broken guitars. He recorded a couple of albums and played with a dozen or so bands; during this time (while living at an art/music collective space) he first met Hawaii-born Tim Digulla.

Tim eventually moved to San Francisco, worked with robot performance group Survival Research Labs and recorded with the psychedelic spacerockers Imajinary Friends (on Bomp) before ending up with Naut Humon's Sound Traffic Control studio/soundsystem.

After hearing some low-fi cassette tracks mixing easy listening with harsh electronics that Dave was working on, Naut offered to sponsor an album on the then-new Asphodel label his wife had, and suggested Tim and Dave record together.

After a couple years work, they released the retro-lounge-themed TRIP TEASE (1997) which mixed cut-up exotica & electronics with real instruments in a slickly surreal, obsessively detailed way. By a lucky coincidence, it was released at the height of the brief lounge fad and turned out to be a surprise pop success, showing up in the background everywhere; indie movie soundtracks, international ads for beer, TV (MTV's Real World, the Sopranos, Sex in the City), the corner bar.

Working with producer/engineer/guitarist Alex Oropeza (Broken Horse, Tarnation), they recorded their next album, the excessively eclectic, dreamily cinematic, almost unclassifiable UH-OH (2001) with a set of renowned guest musicians, including classical percussionist William Winant, and the late Vince Welnick (Grateful Dead) among many others.

After years of changing membership, the live version of Tipsy eventually stabilized. In person, they are a much noisier, more unrestrained thing.










Phronesis - Life To Everything (2014)

Scandinavian/British jazz trio "Phronesis" have the ability to excite, inspire and move people in a way that few bands are able to do. Formed by Danish double-bass player Jasper Høiby in 2005; the trio is made up of himself, a British pianist Ivo Niame and Swedish drummer Anton Eger. Their charismatic live performances have firmly embedded them in the minds of audiences worldwide and prompted Jon Newey (Editor of Jazzwise Magazine) to describe them as “the most exciting and imaginative piano trio since EST”.

"Life To Everything" is their latest album on independent label "Edition Records". It is well worth checking out, these guys have been getting very high critical acclaim over the last few years, their 2010 album "Alive" was named "Jazz Album Of The Year" in both Jazzwise and Mojo magazines. Along with a number of other nominations such as "Best Jazz Ensemble" and "Best Jazz Act" AT the Parliamentary Jazz Awards and the MOBO awards respectively. This live album sees another good strong release from a band who are gaining a lot of international recognition.





"Phronesis are a jazz trio built around Danish bassist Jasper Hoiby's sinewy phrasing and huge tone, and encircled by fluent British pianist Ivo Neame and Swedish drummer Anton Eger's eerie, birds'-wings sound. This edited live album features heated climaxes in which Eger's remarkable drumming is goaded by repeating hooks and bass vamps bring the house down on several tracks, but the buildups are just as absorbing – see Hoiby's downward- twisting bassline as Neame and Eger share percussive roles on the serpentine Urban Control, or the cello-like bowed intros and unhurried conversations on Phratenal and Wings 2 the Mind, the cat-and-mouse darts and feints of Nine Lives, the whirling dance of Herne Hill, and the transformation of Dr Black from a solemn folk melody to an ecstatic, audience-baiting thrash. A live album is exactly just the way to get the current Phronesis message across, and this is a powerful one."
                                                                             ------ Review By The Guardian

Tracklist:

01. Urban Control 
02. Phraternal 
03. Behind Bars 
04. Song For Lost Nomads
05. Wings 2 The Mind
06. Nine Lives 
07. Deep Space Dance
08. Herne Hill